Every upload, every category. Each video gets its own page with a full written breakdown and gear links.
Three days at a real corporate event with nobody operating it. The verdict — plus the day-one storage mistake and the recap the app cut while I slept.
I paid for my own X6. The three questions every camera has to answer before it goes near a paying client — and why this one made the cut.
We stream graduations in an old gym where the floor bounces under the crowd. Here's what RigWheels isolators under the PTZ tripods actually did.
Sarah from Blackmagic walks me through the HyperDeck Shuttle 4K Pro at NAB 2025: the new screen, M.2 storage and 10 gig networking.
Blackmagic's Streaming Encoder and Decoder at NAB 2025, and how the pair lets me pull a Detroit camera feed into a Dallas switcher.
Blackmagic's portable camera control panel at NAB 2025. Battery powered, Bluetooth, and it handles up to eight cameras.
New XLR inputs, MADI, a 16-way multiview and Thunderbolt for Resolve replay. Blackmagic's ATEM Mini Extreme ISO G2 at NAB 2025.
Saved scenes, Zoom ISO and a DeckLink card. How I run multi-presenter webinars at real broadcast quality, and how I got Zoom past 360p.
Slido polls, the 14-second latency gap nobody plans for, and the follow-up step most clients skip entirely.
A step-by-step Wirecast build for Zoom webinars: plan every shot first, then the layers, placeholders and crop numbers that make it work.
Bandwidth, audio levels, mismatched cameras, no backup recording. The problems that bite most often, and how I handle each one.
My honest take on the Epiphan LiveScrypt after buying one myself and running it at real events, including what it actually costs.
Wiring the Epiphan LiveScrypt to an ATEM and keying live captions over program. The Ethernet gotcha, the inputs, and the key I'd recommend.
The pocket camera decision nobody's talking about — and why the Luna Ultra won my money.
